5 Years Of My Favourite #Synthfam Artists - Part One

by Karl Magi

Introduction

This is a showcase of some of my favourite artists from the #synthfam across five years of reviewing synthesizer-based music. This was a labour of love for me, as well as a great challenge to decide on. There are so many tremendous artists out there in the scene that it was very difficult for me to choose the people to feature in this article. I thought long and hard about who would and wouldn’t make the list. If you’re not here, know that it has nothing to do with the quality or relevance of your music. This was simply a subjective and purely emotive list to put together. This is part one, so please stay tuned for part two!

NeverMann

I can’t get enough of NeverMann’s emotionally evocative vocals, his ability to reference the ’80s in a fresh and engaging way and the quality of his melodic and production choices. He also writes lyrics that perfectly capture the vibes created by the rest of the music.

I find his ability to pour out emotion compelling. He has an earnest and heartfelt delivery and an ability to capture the lyrics with his strong, unique voice. He’s especially good at creating a sense of affection in his performances.

The way in which he remains powerfully ’80s-influenced without crossing into cliché is something I enjoy. He doesn’t just emulate the sound of that era; he captures it and makes it fresh again. I also enjoy the jazzy, groove-based elements in his music.

His melodic writing is another strong draw for me. He writes melodies that are high-quality and full of expression as they move between brightness and wistful emotion. I also enjoy the way his melodies complement his vocal style.

I’ve always been drawn to his sharp, clear production. He manages to blend all the different parts together while allowing each to remain defined and individual. The end result is deep and layered.

Dana Jean Phoenix

Dana Jean Phoenix is one of the first synthwave performers I ever heard, and she has had a profound influence on my tastes and enjoyment of the genre. I’ve always been drawn to her powerful vocal abilities, entertaining songwriting and the retro aesthetic that permeates all of her music.

Her intense vocal performances move me. Her voice can soar and exude deep feeling or jump for joy. She brings real guts to her singing and the backing music foregrounds her vocal ability to great effect and makes me pay attention to what’s being sung.

The blend of pure ’80s pop vibes and high quality production is another reason I enjoy her work. While I can’t deny the nostalgic feelings her music stirs up, she manages to keep things fresh and modern in terms of production values. The blend is intensely ear-pleasing.

I also admire how she explores escape, love and emotional complexity in her well-written pop songs. She touches on a complex variety of feelings while keeping things fun and listenable. There’s an earnestness and warmth in her music that I find compelling.

L'Avenue

Ever since I first discovered L'Avenue, I was struck by the tranquility, hope and vivid sonic imagery within his music. I enjoy the way in which it’s tied together by flowing, layered elements and his ability to create musical depth.

I've always been struck by the mixture of hopeful feelings and serenity that fills L'Avenue's music. He uses water and tropical elements to create a sense of delicately lapping blue waters and sun-drenched beaches.

The layered lusciousness and depth of L'Avenue’s music is another compelling aspect that draws me in. He smoothly interlaces a wide variety of synthesizer sounds to conjure different moods and atmospheres.

I enjoy the way in which L'Avenue uses instrumental elements like guitar, percussion and trumpet to deepen the atmospheric and evocative nature of his sounds. I like the auditory explorations on which he takes me as his albums and singles unfold.

Another aspect of L'Avenue’s music that attracts me is the auditory aesthetic he goes for. There's a cool, 1980s retro feel that conjures up images of white suits, pastel walls and palm trees at the poolside. I find that the artist paints strong images for me with his music and immerses me in the sensations he wants to elicit.

Chelsea Owen

From the moment I discovered her, I’ve been impressed by Chelsea Owen’s artistry—her moving voice, her skills as a songwriter and her talent for creating vivid sonic and emotional experiences. Her music is not only well-crafted but also deeply affecting.

Chelsea Owen’s voice was the first thing that captivated me. It’s powerful and gripping, effectively conveying feeling, passion and depth. I also admire the soundscapes in her music. Collaborating with skilled producers, she creates varied synth textures that focus on contrasts, such as the interplay of low-end drive and high-end luminosity. The backing music serves to enhance her vocal performances more fully.

The way in which Chelsea Owen infuses her performances and lyrics with feeling and passion also captures me. She fills her songs with deeply personal themes of heartache, longing and self-expression. The way in which she harnesses those themes with her voice elevates the emotional weight of her songs as they unfold.

As a whole, Chelsea Owen is one of those artists who has a cohesive and rounded approach to music. She is able to explore all of the varied emotions that make us human and connect with them fully through her voice and words.

Cat Temper

I appreciate Cat Temper’s creative and playful approach to music, his mastery of layered synth sounds and his ability to create immersive, emotionally rich and replayable auditory experiences. He stands out as one of the freshest and most unique artists in the scene today.

Cat Temper’s playfulness and inventiveness shine through in his music. I enjoy how he has fun with the creative process, making music that is clearly engaging for him to produce. His eclectic approach allows him to experiment with a wide array of tones and textures that create fascinating sounds.

I’m also a fan of the melodies he writes. They stay with me and evoke various moods and emotions. Each track is a journey, and his compositions are always fresh and unique.

The immersive quality of Cat Temper’s music is another highlight. He takes full advantage of synthesized music’s dynamic and emotional range, creating tracks that feel like self-contained worlds.

Finally, his charming and witty touches add to the appeal. He isn’t afraid to bring joy or humor into his work and his pun-based titles, often featuring cat-themed wordplay, are some of the best in the business.

Bunny X

Since I first reviewed their music, I've had deep respect for Bunny X’s artistic approach In which emotion, nostalgia, collaboration and detailed soundscapes come together to create compelling synth-driven music. The '80s retro aesthetics are always close by but they never overwhelm the music’s quality and artistry.

Bunny X’s music centres around their emotive and touching voices. The vocals capture affection, longing and hope with sensitivity and energy. Their voices reach out and take hold of the listener, pulling them in. I've always found their vocal performances especially enjoyable as they connect with me deeply.

Bunny X also stands out for their melodic writing which is warm, uplifting, yearning and bittersweet. Those melodies help carry the themes of emotion, connection and escapism then fill their song writing. Both elements reinforce one another and make their music especially rich and powerful as a listening experience for me.

I also enjoy Bunny X’s ability to work with other musicians in the synth music scene. Their collaborations are well done and skillfully mingle their own sound with those of other artists to create refreshing sonic combinations. Their ability allows them to enhance the music's depth and character.

Color Theory

The emotional intensity, vocal expressiveness and dynamic musical textures that define Color Theory’s ( Brian Hazard) work have always drawn me in. I enjoy his ethereal voice and distinctive sound that captures emotional depth. The way in which his lyrics explore human experience is compelling and I enjoy the journeys on which he takes me through his songwriting.

In terms of his musical approach, I am drawn to the way in which he dynamically contrasts sounds that move between brightness and darkness, weight and delicacy. He also has an ear for synth and bass interactions and often incorporates luminous, serene sounds that add to the touching nature of his work. His use of some fascinating tones, textures and timbres gives his music added complexity.

Color Theory has a sound that touches on 1980’s New Wave but retains a unique quality of its own. He is able to make music that intrigues my ears with its interlocking layers well adding a voice that feels classic and both of a time and beyond it. I've always been a fan of his fearless exploration of challenging feelings and ideas in his songs.

Star Madman

Since I first heard it, I found Star Madman’s music to be deeply atmospheric and emotionally rich with a strong narrative voice and sonic landscapes that are complex yet accessible. I'm always enamoured of her singing abilities and focus on high quality songwriting.

Warm, caressing and expressive are all words I used to describe Star Madman’s vocal performances. She has a strong ability to reach out with her voice and surround the listener with it. She uses her talents to deliver her well written lyrics to full effect.

I am also drawn to her music by the themes explored in her lyrics. She can write songs that are encouraging and empowering, creating sensations of uplift and positive progress. She can also delve deeply into more complicated and challenging emotions in her songs. No matter what topic she writes on, her words always get right to the heart of the matter.

Her approach to music making is lusciously layered and full of contrast between light and shadow. There's also a frequent focus on mystical imagery that adds to the intensity of the vocals and lyrics in her music. The fact that she makes all of her own music also deepens its meaning.

Russell Nash

I enjoy many elements in Russell Nash’s music including its dynamic motion, luminous imagery and emotional depth. It creates a strong interplay between synths, bass and percussion that evokes a wide range of emotional states and sensations in the music. I find myself transported by his layered synthscapes.

One of the consistent elements of Russell Nash's music is the way in which it creates uplifting emotion through sounds that have warmth and hopeful qualities. Many of his melodies also have an encouraging and positive feeling to them which I find engaging.

Another part of Russell Nash's music that compels me are the light and lustre he creates in his tracks. I enjoy the diamond illumination of the synths he uses to paint his sonic landscapes as they interact with other auditory elements. He evokes flow and motion in the music he writes, weaving an auditory tapestry.

I also find the way in which he creates musical energy and drive quite exciting. His music is full of good energy and driving motion that permeates every layer of the tracks. I continually find an irresistible sense of liveliness and irrepressible motion within his writing which is deeply enjoyable.

The Lightning Kids’ Emma Ballantine

From the first time I heard The Lightning Kids, I was captivated by Emma Ballantine’s passionate vocal performances. She blends emotional vulnerability, dynamic storytelling and layered soundscapes to create a deeply resonant experience. They explore escape, desire and connection, underscored by textured instrumentation.

I’m attracted to a recurring theme that The Lightning Kids explore: breaking free from conformity and embracing youthful freedom with a sense of risk and abandon. Their songs express a longing for release and self-discovery. Desire and intimacy are central with passion infused into both lyrics and delivery. Emma Ballantine’s tender, emotive voice is uplifting, effortlessly carrying the narrative weight.

I've always been strongly pulled in by the way in which The Lightning Kids’ gliding synth textures, glowing guitar and crying saxophone solos create layers of sonic beauty. I find that the interplay of vocals and instruments creates an atmosphere that is simultaneously nostalgic and forward-looking, capturing moments of reflection and possibility.

I am drawn to the way that The Lightning Kids’ music weaves a tapestry of emotional storytelling, that blends hope, passion and melancholy. Emma Ballantine’s ability to balance heartfelt vocals with the band’s layered soundscapes is captivating, connecting and inspiring.

Aeronexus

Aeronexus’ music explores cosmic adventure, emotional depth and the intricate interplay of dynamic musical textures, all tied together by strong visual and narrative qualities. I find his ability to create a synthesized journey quite attractive. A sense of urgency and tension often fills the music as it unfolds. The way in which Aeronexus generates emotion in his music draws me in as he evokes feelings that run between soaring triumph and pained tragedy.

I'm also drawn to the tones, textures and timbres of the synth sounds with which Aeronexus paints his music. I’m impressed by his beautifully woven synth palette and his use of unique instrument sounds that range from panpipes and chimes to Theremin. He also has a strong grasp of drum and bass dynamics that add more weight and shape to his music.

Aeronexus’ music is often filled with imagery that explores vast, velvet blackness and conjures images of nebulae and constellations. I also enjoy his skill at using music to weave strong imagery in my mind.

I appreciate Aeronexus’ layered and evolving compositions as he combines textures and sensations with melody to further deepen this music’s emotional qualities. I also enjoy his approach to creating musical contrast and balance across his albums.

I Am Boleyn

From the moment I discovered her, I was drawn to I Am Boleyn’s ability to convey loss, longing and liberation in her voice. She weaves stories that are emotionally resonant and vividly atmospheric. She takes me on journeys are both literal and emotional, marked by determination and the desire to move forward.

I Am Boleyn’s voice radiates clarity and heartfelt emotion in a way that pulls me into her music. Her voice is clear and fresh-sounding as she delivers each song’s lyrics. She is able to press feelings home through her airy and delicate singing, adding more depth and breadth to her music.

I am enamoured of the way in which I Am Boleyn’s music uses strong imagery to evoke a cinematic quality, heightening the emotional stakes and adding texture to the music's storytelling. Ideas of chemistry and connection interweave with moments of empowerment and agency in her work.

I Am Boleyn’s vocals work well with shimmering, glimmering and pulsing synths to paint layered soundscapes that mirror the emotional intensity of her vocals. Dynamic basslines and driving rhythms propel the energy, while flickering synths and broad, trembling tones add depth and resonance.

EDITORS PICKS: Top Releases of 2024 And Year-End Review

Foreword by Vero Kitsuné

Another year has gone by. 2024 has been a strange year, ending with increased tension and dread brought by the US Election results. Yet as we each carefully draw our collective breaths and try to enjoy the holiday peace before the impending storm, we also saw some revolutionary sparks and comforting reminders of goodness to be had and worth fighting for. If the mass exodus from the corrupted, oligarchic stench of the app formerly known as Twitter to the promising clear, azure space of BlueSky is any indication, a collective inner compass containing shared principles and greater moral values is truly ever present and is now spinning more wildly, more ferociously and louder than ever before. Opportunities to push back and counter against the growing tyranny and malfeasance, to rebuild and start anew, and to consciously do things better will continuously present themselves as a new, bright blue space burgeons. It is distinctively more conscious, more self-aware, more proactive and ready to fight back and defend along with its heavily gatekept walls against the permeating foul. The first to surge within this space are beloved artists, musicians, creatives, writers and great thinkers gathered not just by their passions, but also unwavering shared values - a reminder that we all still have each other. At very least, the cool ones are here.

Despite the year’s dystopian, tense tones, 2024 had gifted us with a lot of incredible music. In our own cute little corner, Absynth continues to flourish and evolve. This year we added The Laboratory, spearheaded by Bytemapper, as a space to test and review the latest developments in the world of virtual instruments, and as a new channel to connect with and serve our peers who revel in music production. We also began adding darker hues, grittier textures and heavier smoke in the spectrum of our music reviews thanks to Chris Magdalenski’s efforts in unearthing more gothic rock, post-punk, darker waves, and varying shades of metal from the deepest terrains of the underground. Karl Magi continues to hold down the neon-lit fort with his unparalleled, prolific streams of synth reviews. And I have been preoccupied with the cosmic hunt for mythological creatures across the spectrum - the hybrids, the chimeras, the unicorns, and the great krakens of our spaces who defy conventional genre norms, delivering something new and unique, who are brave enough to stand out — never bending, never conforming to any box, never blending in — and whose creative brilliance is matched by technical ingenuity and authenticity.

Without further ado, here are the Absynth Collective’s Top Picks for 2024: A mix of the most memorable and notable LPs, EPs, Singles, and Music Videos of the year that rose to the occasion.

Vero’s Picks

Dread Majesty - All The Saints Are Dead

Fresh newcomers from Colorado, Dread Majesty’s debut single “All The Saints Are Dead” completely satisfied this year’s hunt for the elusive, chimeric hybrid creature with their incredibly unique and expansive brand of gothic, avant-garde progressive metal. Their impeccable and meticulously crafted production, musical endurance and athleticism, and beautiful theatrical vocal performances and ferocious chants are absolutely beyond this world. They are just getting started, and I’m eagerly looking forward to what they deliver next.

https://youtu.be/812lZQimbSE?si=_YOyM1mtFFd2iGhI

Vision Video - Modern Horror

As one of the finest in the gothic rock, post-punk arena, Vision Video’s latest LP, “Modern Horror” showcases superb musicality and refined songwriting, balancing super catchy and memorable hooks with introspective and sensitive lyricism delivered by Dusty Gannon’s distinctively rare, “handsome” and perfectly tuned, soaring vocals. The record also carries also some of the most tasteful, lush guitar work. Under the dark glam, each song in “Modern Horror” leaves an indelible mark, carrying weight in message, painting a clear, honest picture articulated through the lens of intense life experiences that had truly seen it all.

https://visionvideo.bandcamp.com/album/modern-horror

Temporal Waves - Temporal Waves

One of the most unique projects that debuted this year, tabla and percussion maestro Shawn Mativetsky’s synth project, Temporal Waves, brilliantly fuses the organic sounds of the tabla with cinematic, neon noir synthetic soundscapes, resulting in a captivating and deeply engrossing aural exploration. Shawn’s masterful and exhilarating percussive work creates the illusion of having four hands and arms, reminiscent of the Hindu god Ganesha, who is symbolically connected to the tabla. His self-titled record also utilized analog production techniques, adding further to the authenticity of his project.

https://temporalwaves.bandcamp.com/album/temporal-waves

Kerli - Oversoul

Mesmerizing goddess-incarnate Kerli’s EP “Oversoul” carries mystical and ethereal vocal work mixed with modern trip hop beats and experimental pop sensibilities. Masterfully crafted, crossing medieval sorcery and folklore with the sounds and textures of the present and the future, “Oversoul” is extraordinarily fresh and sprawls in flavor and vibe that can easily transcend time.

https://music.youtube.com/playlist?list=OLAK5uy_ng311qhNUoPPldAQXTAya9Emdp9Mf5LlI

New Wave Kill - Stitches For The Soul

Madrid-based New Wave Kill’s brand of post-punk is interwoven with the very distinct swagger of a Spanish caballero. The understated cool, smokey and stylish vibes in their debut full-length “Stitches For The Soul” are reminiscent of Nick Cave classics, vintage Americana sounds of The National and spaghetti western flicks. They also have one of the best vocals in the genre, and their songs are imbued with perceptive lyricism, memorable drops, luscious guitar work and driving percussions marked with tasty, creative fills.

https://music.youtube.com/watch?v=vJtvr5YE6Rc&list=OLAK5uy_laRGmMeUkHeh1sZg7XLP8OeA5ZFqZNgjs

Zanias - Ecdysis

A follow-up instrumental offering to her 2023 LP “Chrysalis”, Zanias’ “Ecdysis” is an aural expedition that casts off language in its ethereal vocal experimentations, consisting of psychedelic sound palettes and textures that bring bioluminescent creatures to mind. Earthbound and extraterrestrial at the same time, “Ecdysis” is a body of work that crosses dimensions, pushing the boundaries of electronic music we currently know today, and comes with a longing for a futuristic timeline filled with hope, life and rich biodiversity.

https://zanias.bandcamp.com/album/ecdysis

Circuit Preacher - Made To Burn

Reminiscent of early Nine Inch Nails and Depeche Mode, Circuit Preacher’s debut full-length “Made To Burn” is an EBM revelation that drives stakes into the heart of institutionalized evil. Marked by its feral and rebellious defiance, “Made To Burn” buttheads with sheer ferocity against the conventions of religion, complete with a stunning, wide-span vocal range and a backdrop of giant saw bass and heavy beats — the perfect record for the End of Times.

https://circuitpreacher.bandcamp.com/album/made-to-burn-2

VH X RR - Warning Signs

VH x RR maxi-single “Warning Signs” delivers their signature vibrant, crystalline synthpop in this powerful track while providing glimmers of hope as signals of dystopian prophecies turn into our present-day reality. VH X RR (Producer Von Hertzog and Rob Rowe of the 90s synthpop band Cause & Effect) are known for conjuring some of the most beautiful spectral sound treatments and electronic palettes while still maintaining infectious pop appeal, charming lyricism with hints of dark romance at the intersection of synthpop, electropop and darkwave.

https://vhxrr.bandcamp.com/album/warning-signs

Connör - The Key Of Death Minor

One of the princes of dark synth, Connör’s latest majestic full-length, “The Key of Death Minor” pushes the boundaries of dystopian cyberpunk. From haunting gothic choir elements against fast saw basses in the opening track, pop rock vocals exhibited in the track “Tearing the Wings of An Angel”, the frenetic experimental energy of “The Red Stuff”, to the nuMetal treatments found in “Fake Skin” and “Moshpit”, and the dramatic cyberpunk opera of “Never Sleep Again”, the record is a box of controlled and calculated masterful pandemonium that offers variety in its multi-faceted distribution of vibes and packs one helluva punch from start to finish.

https://connoer.bandcamp.com/album/the-key-of-death-minor

Bad Guys Get Dead - Gaia Has Fallen

A tremendous effort created over a span of a few years, Bad Guys Get Dead’s concept record “Gaia Has Fallen” is a sprawling masterwork about a starship’s survival during the darkest hours of humanity. Incorporating prog metal elements, cinematic synths and voice-over storytelling, the record brings spacewave to new exciting territories and is exemplary of the progressive, evolutionary phase and trajectory of the synthwave genre dubbed as “post-synthwave”.

https://badguysgetdead.bandcamp.com/album/gaia-has-fallen

Alpha Chrome Yayo - Home For Hitodama

Whimsical Japanese-inspired motifs and vintage nostalgia only Alpha Chrome Yayo can do with unerring devotion, “Home For Hitodama” is a delightful instrumental LP that unfolds like a sweet little origami about the souls of the dead in Japan. The record features fantastical shakuhachi flute performances and vintage koto synthesizer that borders on the mystical with every note. “Home For Hitodama” is quite the record to eat mochi balls to, while cozying up in warm colorful kimonos, and welcoming any lost kodama or yokai that may come your way.

https://alphachromeyayo.bandcamp.com/album/home-for-hitodama

Anniee - Let Her Hair Down

Anniee has began releasing the first singles for her anticipated full-length debut coming out Spring of next year. With “Let Her Hair Down”, she embarks on darker territories and psychological drama, matched with Lynchian visuals directed by synthwave’s favorite filmmaker, Brad A. Kinnan. Anniee’s brand of theatrical synthpop is marked with infectious melodies and stunning angelic vocal performances reminiscent of Sarah Brightman, delivered against a backdrop of colorful electropop palettes and shimmering sound designs co-produced with Von Hertzog.

https://youtu.be/1B2ih_RpqKs?si=-AyTr4FkEbHa1Cxf

Agnis - Antipriest

Polish witch pop artist, Agnis has started releasing a slew of singles for her upcoming record entitled “Gothess” due out at some point next year. In this new record cycle, she steps outside her usual ethereal, witchy soundscapes for a more industrialized Europop, fast saw basses, heavier beats, catchy danceable numbers, and visuals dripping in irony and cheeky humor as evident in “Antipriest.” The video and musical number follow the underground misadventures of a misbehaving clergyman, cradling his flask of “Unholy Water” in a drunken gothic club revelry. He continues to appear in every Agnis music video since his charming video debut.

https://youtu.be/OyvmRx9Gks4?si=R86A8FKF_D-Xqw3m

Extize - MediEvil

Known for their brand of unhinged, brazen camp, Franco-German gothic industrial artists Extize unveiled “MediEvil” - the first single from their upcoming concept LP and Back To The Future homage, entitled “Delorean 666”. “MediEvil” features the sampled Gregorian chants “Belial, Behemoth, Beelzebub, Asmodeus, Satanas, Lucifer” from Ghost’s track entitled “Year Zero”, but this time, draped against dark techno beats, combined with visuals of medieval knights in battle under the sensuous spell and allure of witches.

https://youtu.be/sHPLihFHW08?si=bUPck-ECejK1MgT4

Neilio and Shadowrunner - Nightmare

Guitar hero Neilio joined forces with synth maestro Shadowrunner on a horror track for Halloween this year. Yet instead of giving listeners the typical John Carpenter-esque horror synth of blood and gore, we get super chill, arpeggiated sunset vibes and visions of zombies, werewolves and evil vampires in Hawaiian shirts hanging out in neon-lit, palm-tree lined beach paradise, toasting their pineapple punch with pink flamingos driving Corvettes and Lamborghinis. This is why I absolutely love and adore Synthfam.

https://neiliomusic.bandcamp.com/track/nightmare

Odder - At The Pace Of Death

The only dark and horror synth release that leans more gothic. Odder’s use of gothic orchestra with clever, intelligent writing and compositions, glitch textures, powerful percussions, twisted bass lines, and layers upon layers of unpredictability and surprises provided a new type of elevation in the horror genre we can fully sink our fangs into. Progressive, faceted yet cohesive, “At The Pace of Death” is a meticulously crafted, action-packed journey in desolate soundscapes with several heart-stopping moments, and is one of the very few masterclasses in cinematic horror extended-play production.

https://oddersound.bandcamp.com/album/at-the-pace-of-death

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Chris’ Picks

The Cure — Songs of a Lost World

I knew this album was going to be nothing short of fantastic when the opening notes of the first song “Alone” kicked in. When Smith’s iconic voice finally appeared It locked itself into my soul and hasn’t left since.

https://www.thecure.com/

Nick Cave and the Bad Seeds — Wild God

I was a latecomer to Mr. Cave’s darkly poetic music, with 2013’s “Push The Sky Away” being my entry point. His latest release is a continuation of his off-kilter musical genius, offering the listener haunting vocals mixed with compositions that shift seamlessly from the low-key profane to the grandiose sacred. 

https://www.nickcave.com/

C Z A R I N A — Empire

I’ve been a huge fan of CZARINA’s artistry since her first major release “Painted Holograms” in 2018. To me “Empire” is more than an album, it’s a journey into the farthest reaches of time and space. As far as I’m concerned she’s Cybergoth’s Bowie. 

https://czarinaofficial.bandcamp.com/album/empire-deluxe

Cemetery Skyline — Nordic Gothic

This album is near flawless. Every song is the perfect balance of the powerful and the melodic. Its unmistakable influences are the goth-rock bands of the 80’s, with a healthy dose of the now infused in its DNA. Not much else to say other than this album will be in heavy rotation for some time.

https://centurymedia.bandcamp.com/album/nordic-gothic-24-bit-hd-audio

Graywave — Dancing in the Dust

They’re Dark. They’re Heavy. Their song are dripping with pitch black ambiance. If you like your goth infused with a bit of melodic metal influence this album is for you. Singer Jess Webberley’s vocals are haunting and beautiful.

https://graywaveuk.bandcamp.com/album/dancing-in-the-dust

Black Angel — Elektra

With “Elektra” Goth/Post Punk rockers Black Angel have produced an album that truly pays homage to goth greats of the past like Bauhaus, Sisters of Mercy and The Damned. Every song on the album is a black-clad banger. 

https://blackangelmusic.bandcamp.com/album/elektra

Cruce Signatus — Cruce Signatus

Cruce Signatus’ first release is epic synth at it finest. The four-song concept album mixes synthwave vibes with prog metal to create ever intensifying soundscapes that defy convention. This is an epic story told through song, but once you give the album a listen, you should check out the accompanying YouTube video.

https://crucesignatus.bandcamp.com/album/cruce-signatus

Cloud People — Simulacra

This six-piece band from Norway is pushing the bounds of electronic music in new directions. Fusing the now classic synthwave elements with those of improvisational jazz and rock bands, this album is an absolutely refreshing listen.

https://cloudpeople1.bandcamp.com/album/simulacra

Alex — Now You Know My Name

Alex hasn’t disappointed yet, and this most recent release is no exception. These songs are pure dark, danceable dystopia. Go out for a drive at midnight in a near empty city and crank it. I promise you won’t be disappointed.

https://alexofficial.bandcamp.com/album/now-you-know-my-name

Windows96 — Yes Da Da Da

Brilliant and quirky, Windows96 newest release is a joy to listen to. Deep textures and complex melodies take you on a trip to a cyber lounge of chill. This is my go to album when I need to unplug and destress.

https://windows96.bandcamp.com/album/yes-da-da-da

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Karl’s Picks

Caspro – Coastal Edge  

Caspro’s Coastal Edge captures the essence of the ocean through rich, layered synth sounds that evoke vivid seascapes. The album transitions seamlessly between serene aquamarine moments, powerful tidal energy and tranquil sunlit shallows. Caspro’s mastery of auditory imagery shines as he creates intricate sonic tapestries that transport listeners to peaceful and dynamic marine vistas.  

The album’s beauty lies in its nuanced melodies and lush textures, crafted through well-chosen synth combinations and contributions from guest performers. These collaborations add depth, complexity and emotional resonance, creating microtonal moments that engage and captivate. Caspro's compositions allow listeners to relax, roam mentally and immerse themselves in the oceanic atmosphere.

https://caspromusic.bandcamp.com/album/coastal-edge

Hill Valley Hero – Electric Outlands  

Hill Valley Hero’s Electric Outlands offers a cinematic, adventure-filled journey through vividly layered synthscapes. The album blends intricate melodies, evocative synth sounds and stellar guest performances, creating a dynamic and dramatic listening experience.  

Hill Valley Hero's storytelling prowess is evident in the music’s ability to elicit vivid imagery of exploration and action. The melodies are emotionally impactful and contribute to the narrative’s cinematic quality. The carefully chosen instrumental layers and synth sounds weave together a rich sonic tapestry with each element enhancing the album's emotional and visual storytelling. The guest performers add further depth and variety, elevating the music’s overall complexity and engagement.

https://hillvalleyhero.bandcamp.com/album/electric-outlands

At 1980 – Forget to Remember  

At 1980’s Forget to Remember is a heartfelt retrowave album that channels the emotional depth of '80s music without relying on clichés. Its standout features include strong musicianship, emotive vocals and rich production, creating an experience that is both nostalgic and refreshingly original.  

The album’s collaborators, including vocalists Josh Daily and others, deliver deeply moving performances, while the production by Adrián Quesada Michelena creates lush, layered soundscapes. The songs explore themes of melancholy and warmth with melodies that resonate deeply and convey heartfelt emotion. Each track captures unique moods, ensuring the album connects profoundly with its audience.

https://at1980.bandcamp.com/

Full Eclipse – In Place Of Power  

Full Eclipse’s In Place Of Power delivers emotionally resonant songwriting paired with a rich, complex musical backdrop. The album explores human experiences with poetic, introspective lyrics that delve into emotional contradictions and difficult ideas.  

Full Eclipse's distinctive vocal style adds depth to the themes, his voice resonating with uncertainty and emotion, drawing listeners into the lyrical narratives. The musical arrangements complement the songs' atmospheres with Michael W. Stuart's saxophone performances standing out as particularly evocative, enhancing the album's emotional power.

https://fulleclipse.bandcamp.com/album/in-place-of-power

JESSY MACH – Asphalt Reapers  

JESSY MACH’s Asphalt Reapers is a cinematic musical narrative set in a dystopian city, blending tense, dark atmospheres with moments of hope. The story of rebellion against corruption unfolds through detailed soundscapes, expressive guitar work and layered synth textures.  

Jesse Mach’s guitar playing is a highlight, combining emotional intensity, technical skill and rhythmic precision. The album’s layered synths create vivid, engaging auditory contrasts that deepen the storytelling. Each listen reveals new details, making Asphalt Reapers a richly rewarding experience.

https://jessymach.bandcamp.com/

Electron Odyssey – Citizen Generator  

Electron Odyssey’s Citizen Generator is an instrumental exploration of layered synth textures, engaging melodies and thought-provoking themes. The album features lush, cohesive soundscapes enhanced by Electron Odyssey’s fluid and expressive guitar work.  

The intricate layering of unique synth tones creates a captivating listening experience. The guitar adds richness to the compositions, blending seamlessly with the synth elements. Thematically, tracks like “Technology” encourage reflection on humanity's relationship with innovation, combining intellectual depth with musical allure.

https://electronodyssey.bandcamp.com/album/citizen-generator-album

Hotel Pools – Nature  

Hotel Pools’ Nature is a tranquil, ambient synth album that invites quiet reflection and relaxation. Its carefully crafted soundscapes inspire peaceful, meditative moods tinged with nostalgia and gentle melancholy.  

Short yet cohesive tracks flow seamlessly, creating layered, textured imagery reminiscent of serene natural moments. Guest artists contribute depth and richness, blending their styles with Hotel Pools’ soothing compositions. Nature is a tender, contemplative journey through the softer side of the natural world.

https://hotelpoolsmusic.bandcamp.com/album/nature

Michael Angelaux – Young & Restless  

Michael Angelaux’s Young & Restless channels the drama and passion of 1980s soap operas through powerful vocals, evocative lyrics and lush instrumental arrangements. The album creates a vivid and entertaining atmosphere, immersing listeners in its emotional intensity.  

Michael Angelaux’s versatile, expressive voice captures a wide spectrum of feelings from anguish to sensuality and delivers them with clarity and impact. His lyrical prowess shines in the album's intricate wordplay and imagery, making the lyrics as engaging as the music itself. The melodies and harmonies amplify the album's evocative 1980s-inspired mood, enriching the listening experience.

https://michaelangelaux.bandcamp.com/album/young-restless

Hirobleep – My Own Reality  

Hirobleep’s My Own Reality is a serene, meditative journey through soothing synth soundscapes. The album combines gentle textures, delicate melodies and a tranquil ambiance to create a deeply calming and immersive experience.  

Hirobleep’s carefully chosen synth tones, enhanced by classic jazz organ and piano elements, call forth warmth and comfort. The hypnotic melodies relax the listener while maintaining engagement, offering a perfect balance of focus and peace. The album’s ability to induce a meditative state makes it an effective escape from life’s stresses, providing both mental clarity and relaxation.

https://hirobleep.bandcamp.com/album/my-own-reality

Cat Temper – Still Just a Cat in a Rage  

Cat Temper’s Still Just a Cat in a Rage is an adventurous and playful album that blends progressive influences with inventive synth work and dynamic compositions. The album showcases Cat Temper's ability to craft complex, multilayered soundscapes filled with surprising and quirky sonic elements.  

The album’s appeal lies in its intricate synth layering, which creates constantly shifting textures and captivating sound combinations. Cat Temper’s playful experimentation and the emotional shifts within each track—from gentle moments to bursts of energy—add depth and keep the music engaging. The artist’s control over the balance of chaos and cohesion further elevates the listening experience.

https://cattemper.bandcamp.com/album/still-just-a-cat-in-a-rage

GammaFlow – Gaia  

GammaFlow’s Gaia is a serene, immersive journey through lush synth textures and tranquil soundscapes. The album explores delicate emotions and imagery through meticulously layered synths and contributions from guest artists who add depth and diversity to the music.  

The atmospheric focus of Gaia stands out with its flowing, pastel-hued tones evoking peace and introspection. GammaFlow’s thoughtful sound design combines fragile high tones with rich bass elements, creating tracks that are both soothing and intricate. The collaborative efforts on the album enhance its richness while maintaining a cohesive, harmonious vision.

https://gammaflow.bandcamp.com/album/gaia

Jetfire Prime – THEY  

Jetfire Prime’s THEY delivers a haunting and cinematic synth experience, reminiscent of classic horror films. The album blends eerie atmospheres with evocative melodies, creating a darkly entertaining and chilling auditory adventure.  

The moody, brooding ambiance of THEY is its most striking feature, as Jetfire Prime’s inventive synth textures build a sense of creeping tension and unease. The melodic writing enhances the storytelling aspect of the music, evoking strong emotional and visual responses. Each synth choice deepens the album’s horror-inspired, cinematic quality.

https://jetfireprime.bandcamp.com/album/they

Max Cruise – Sunrises  

Max Cruise’s Sunrises is a soulful, nostalgia-infused album featuring masterful performances, strong songwriting and heartfelt melodies. The blend of jazz solos, expressive vocals, and vibrant synth layers creates a warm, emotionally rich listening experience.  

The album showcases outstanding musical performances, including Max Cruise’s soulful saxophone and intricate guitar work by Cam Blokland. Nostalgia is balanced with sincerity, capturing both the warmth and wistfulness of memory. The layered synths and lyrical melodies, combined with inspired solos, give Sunrises depth and a sense of joy that resonates throughout.

https://maxcruisemusic.bandcamp.com/album/sunrises

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BYTEMAPPER’S PICKS

I’ll admit this is my first time doing a year-end round up when it comes to any sort of releases. I’ll also readily admit I’ve not listened to my fair share of the latest electronic music releases. That said, it’s been a banner year of sorts when it comes to what I tapped into musically. While I am certainly guilty of lounging too long in areas of nostalgia, these releases had at least something to catch the ear and the mind. 

BADBADNOTGOOD and Tim Bernardes - Poeira Cosmica

Up first is a single, but one of the finest I’ve heard in a long while. Peoria Cosmica is evocative of the halcyon years of Stan Getz, Joao Gilberto, and all the other bossanova greats. There is enough of a psychedelic tinge to it that it immediately catches the attention. What you’re left with is another must-listen in the BADBADNOTGOOD oeuvre. 

https://badbadnotgoodofficial.bandcamp.com/track/poeira-cosmica

Night Tapes - To Be Free

The creative force behind Night Tapes are people after my own heart. A wash of reverb lurks beneath this song, acting as its own instrument of sorts. Night Tapes have been a marvel when it comes to the independent synth pop scene, and their latest is more of the same. It doesn’t quite have the same hook as previous singles like Selene, Human, or Forever. Still, this one saw plenty of play in the car.

https://nighttapesmusic.bandcamp.com/track/to-be-free

Kowloon and Louie Rubio - Your Name

My ears perked up when I heard the latest from Kowloon. Kowloon itself has always seemed to be a project at odds with the current trends in indie. The style is more akin to the heyday of bands like Arcade Fire rather than the big names today. There’s a tinge of 70s garage rock nostalgia intermingling with 2000s indie sensibility. It might lack innovation, at least going by the purists in the indie scene, it more than makes up for it with a heavy dose of sincerity.

https://kowloonkowloon.bandcamp.com/track/your-name

Hammock - From the Void

I wouldn’t be me without at least a little ambient on a list. Hammock has been a long-time favorite, and their latest is more of the same. Strings soar, and layers of sound weave together to create a tapestry for the ears. There’s plenty of music to drive to on the market today, but this is one best reserved for a chilly evening and something warm to drink. 

https://hammock.bandcamp.com/album/from-the-void

HOMESHAKE - Horsie

HOMESHAKE have been one of my personal standouts from the bedroom pop movement. Twinkling synth melodies, squelching resonant basses, and a smattering of digital processing give this a decidedly 90s home studio vibe. Production is lush throughout while still maintaining a groove and soul at the heart of it all. It’s the perfect soundtrack for a date night.

https://homeshake.bandcamp.com/album/horsie

Robohands - Thermae

This could’ve crawled right out of the 1960s cool jazz scene with us being none the wiser. Thermal is a stellar single from UK act Robohands and one that has received an exhausting amount of playtime on my end. I don’t have much to say, but if you dig jazz, give this a listen. It isn’t quite as self-indulgent as many of the current jazz releases by old stalwarts of the genre.

https://robohands.bandcamp.com/album/thermae

Miles Davis Quintet: The Bootleg Series, Vol. 8 - Miles in France 1963 & 1964

Yeah, I know, recent releases and all that. This is new, releasing this year as part of a continuing bootleg series of the Miles Davis Quintets performances throughout the last 70 years or so. This is a wonderful live recording, sounding downright uncanny to a studio pressing of the era. Differing interpretations of classics like “So What”, “Autumn Leaves”, and “My Funny Valentine”. 

https://music.youtube.com/playlist?list=OLAK5uy_m1Ig-vJukbjMWUd_1oUL7dEBRAvaNl9jg

Tyler the Creator - CHROMAKOPIA

I’ve kept an eye and ear on Tyler the Creator since the early days of Odd Future. His latest continues down the same path taken by IGOR. Production is top notch, but something about this release just didn’t captivate me. All the old hallmarks of Tyler’s production style are shown, the abrupt key changes, the RnB and Gospel tinged musical influences, and so forth. Fine release, but I didn’t catch myself going back for multiple repeat listens.

https://music.youtube.com/playlist?list=OLAK5uy_lXfobdFVDhci6mn7_TKHTrvKECta6GTIo

Khruangbin - A LA SALA

Khruangbin is something of an acquired taste for me. I’ll resonate with some of their releases while others just leave me cold. A LA SALA is thankfully in the former camp. Stand outs like “May Ninth” and “Hold Me Up (Thank You)” elevate the album, but it’s a wonderful listen throughout. They don’t truly make them like this these days.

https://khruangbin.bandcamp.com/album/a-la-sala

Joesef - Borderline

I’ll readily admit that I don’t care for 99% of Borderline. I’ve got nothing against Josef as an artist, but I found most of the release to be a forgettable indie release. What elevates this release is “It’s Been a Little Heavy Lately”, a catchy and infectious dance pop song with one of the most memorable hooks I’ve heard in recent years.

https://music.youtube.com/watch?v=-XwiRmYLeZQ

Nilufer Yanya - My Method Actor

My Method Actor by Nilufer Yanya is arguably my favorite release of 2024. I return to “Keep on Dancing”, “Like I Say (Runaway), and “Call It Love” pretty much daily at this point. My Method Actor meshes together more modern pop sensibilities with synth tinges and lush effects processing with the likes of traditional indie guitar work. It works in spades, go listen, you won’t regret it. 

https://niluferyanya.bandcamp.com/album/my-method-actor

Charli XCX - BRAT

I did get caught up in the hype of BRAT Summer, if only for a moment. BRAT is a fine release, calling back to the 2000s and 2010s with the cutting synth lines and downright choppy stutters heard on some songs. Interestingly, I have a lot of trouble remembering many of the songs aside from “Apple”. Still, if I was a bit younger, I imagine this would dominate my thinking and personal listening. Stellar dance record, but not something I’ll see myself revisiting with steady frequency in the next six months.

https://music.youtube.com/playlist?list=OLAK5uy_kmzoSOa_tCizE-r4sweNz91d9qBv1UCVY

Leifendeth - Distorted Transmission 3: Deadwaves

Review by Karl Magi

Overall Album Impressions

Leifendeth's Distorted Transmission 3: Deadwaves is flooded with dystopian darkness and ferocious, spectral soundscapes. The artist weaves together a shadowed and threatening world, punctuated by disturbing sounds and massive percussion and bass. The spoken-word, chanted lyrics deepen the sense of peril and foreboding. A constant, oppressive weight and sense of desolation permeates the album's layered tracks.

One aspect of Distorted Transmission 3 that I particularly enjoy is the way the artist creates compelling and powerful soundscapes. The weaving together of sonic textures and colors, along with the ever-present sense of menace, paints a broken and fear-struck landscape. As the album unfolds, the artist guides us through this shattered and terrifying world. Metallic sounds ring, jagged-edged bass slashes and melodies burst forth in minor-key darkness, intensifying the atmosphere.

Another standout element of Distorted Transmission 3 is the lyrical content. The artist’s words capture the desolation and despair exuded by the music, speaking of endings and broken things, but also of defiance and radical acceptance. Delivered through chanted vocals rather than sung lyrics, they enhance the discomforting sensations of the tracks.

Atmosphere plays a crucial role in my enjoyment of this album. The music fills me with nervousness, making me glance over my shoulder, as if an imminent threat or looming danger were closing in. A mixed sense of rage and hopelessness emanates from the soundscapes, holding my attention throughout.

My Favourite Tracks Analyzed

“Deserter” opens with Stygian bass slowly vibrating with jagged edges as metallic sounds begin to bang steadily. A ringing tone accompanies chanted vocals—a poem cutting into the music with power and shadow. Smoothly intertwining notes weave around the vocals while colossal drums throb with insistent strength.

Darkly sinister tones rise as the two vocalists chant together, and a distant, ascending synth adds tension. Slamming, clanging percussion moves alongside a tightly wound synth as The Disasteress calls out, followed by Leifendeth’s voice. Uncomfortably twisting notes shift in the background, paired with ringing percussion and drums punching above a dark choir.

The Disasteress speaks and Leifendeth answers, their voices intertwined in poetic, powerful dialogue. Hammering sounds intensify the sense of danger as miasmic notes float through the track. Pulsing percussion drives the music forward while seething synth flows on an unstoppable low end.

The narrator declares they worship something eternal saying, “This love won’t die in me.” They compare it to a ghost that refuses to leave, adding that their mind is made up and they never gave up. They believe this love will set them free, calling it both a blessing and a curse.

The story explores themes of faded but persistent life, saying, “I’ve got a blood-stained soul, still seeing red.” The protagonist resolves to face love and hatred alike with a “white-hot spark that never fades,” refusing to leave or be left behind. They warn that “corruption terrifies” noting that the long road has been paved as the world lies “buried alive in a shallow grave.”

Hugely echoing, thick synth tones moving alongside the sound of distant rain to open” Unchanged.” A kick drum hits with muscled force as the echoing synth wanders. Haunted voices call out as gigantic synth walls cut heavily through the soundscape. The track swells with a constant sense of terror while the drums explode into rapid, pulsing motion.

Flowing sounds drift past as the swirling background floats. A glowing, descending synth exudes immense power as it cascades through the music. Elevated notes cry out, undulating and falling as the drums continue to burst and rush. The track carries an energy which feels both treacherous and engaging.

Shadowy, intertwining synth textures burst into another ringing layer, moving in short, bright bursts. A distorted voice roams through the music as the bass drops heavily. The vocals return with falsetto lines, harmonizing with a ghostly choir drifting past.

The narrator reflects on dark forces beyond the point of no return, urging others to "keep the monsters at bay." They suggest embracing vigilance as the time of collapse approaches. Echoing themes of sacrifice and survival, the track ends with crystalline notes trembling into silence as the choir fades.

“Moment of Collapse” opens with unrelenting, pounding drums and bass rushing forward. Fulminating basslines tear into the track with raw aggression as whispered vocals hiss out. The drums hit violently while spectral basslines drift through the background.

The vocals shift between chanted lines and whispered warnings, trading ominous energy between the two vocalists. Slowly intertwining synth notes weave through the music as the snarling, sawtoothed bass intensifies. Each element builds forcefully, creating a portentous sonic landscape.

The narrator warns to "tread lightly on this ice that's thinning every day" urging others to hold their ground and avoid deceitful figures who offer false solutions. They acknowledge impending collapse, urging listeners to stay vigilant and prepare for the consequences.

An uncomfortably trembling, elevated bassline riding through static-filled radio waves start off “Shortwave Shift.” Massive, throbbing beats create a driving low end, while an undulating, tensely wound bassline moves in trembling motion.

Above the hollow, smacking drums, a glimmering bassline carries a surprisingly melancholy melody. The juxtaposition of shining luminosity and seething low-end pulse creates dramatic tension. Chimes gleam with bright light and the melody’s hypnotic quality lulls the listener into a trance-like state.

The music builds steadily as muffled, crushing drums continue to pulse. Open-voiced melodies weave into string-like textures, creating an ethereal atmosphere. The track closes with crystalline tones and chanting vocals fading into silence, leaving a haunting impression.

“Not Again (Silenced Mix)” begins with silken, rippling notes that drift smoothly through the track. Strangely twisting vocals create a disquieting feeling as growling bass descends and a single drum pulsates. Now a powerful but tranquility-enfolding note pattern runs through the music above the void-deep bass. The whispering vocals hiss into the track with a sense of pure danger as the bass continues to descend.

Chanting vocals run through the music with a chilling effect as the background floats and the bass continues to deepen the danger. The drums and bass form a broken pulse as the surging, glowing bass runs out in threat-filled lines. The vocals chant as the background rises with raging strength, and the lost notes trail through the track as the bass rumbles.

The vocals have a shadowed quality as the background miasma intertwines with the luminous bass chords that move through the distance. The dark lyrics add to the sensation within this music as a melodic surge cuts into the music with razor-sharp edges. The lead singer chants out the words while the drums and bass continue to kick and throb. The swirling background is cut by the glimmering notes and the gruff-edged bass before the music ends.

Our storyteller talks about the fact that, in a world that's crumbling, many of us won't be saved. He points out that "society is imploding into itself; the survivors will be the brave." He adds that when chaos reigns, the evil will leach away the things that made us alive. He concludes that we are "morally dead, we’re fucked in the head" and perhaps we don't deserve to survive.

The narrator speaks of "a disaster of epic proportions" created by poor decisions and distortions of truth. Most humans encouraged the disaster when "they cocked the gun, then we put it to our head."

Our storyteller cries out that he doesn't want all the years of pain without cease to happen again. He doesn't want "all the strain inside my mind and body ache" because he doesn't know how much more he can take or if he can endure it again.

The narrator points out that when the world is ruled by "heartless men" atrocities seem never-ending. He isn't sure if he can mend anymore or survive the suffering again.

Our storyteller says that the leaders "wallow in crime and sin" while lying hypocritically. He adds that they are counting on people to let them win, so he encourages others to "take the blinders off your eyes and fight" because they have truth on their side.

A distantly sweeping sound and percussion ticking out into echoing emptiness as “Stealth Killer (In the Face Of Remix)” opens. Darkly intertwining notes move above the heavily rebounding drumbeat, and strange rustlings and uncomfortable shadows shift. The drumbeat is slow but powerful, creating shape as a steadily trembling, glowing synth floats with haunting lightness. I am enamored of the weighty strength within this track.

Computerized noises move in the distance as the heaving low end throbs, and a steady, scraping sound moves in the distance. Disturbing and uneasy sensations emanate as a twisted voice calls out unintelligibly to deepen the tension. A low drone moves along with elevated synth and laser-like sounds that impact the track. Now the drums accelerate to a hectic rush and propel the music ferociously forward as portentous noises echo in the distance.

The track has an unstoppable, raging quality now as it rushes forward with chanted words floating out into space. A medium-high, thready-sounding synth carries a minor-key melody, creating an ancient and terrifying feeling. The slamming percussion is unrelenting as the chanted word "die" repeats and the melody swirls with deadly intent. The track charges onward as a creaking, computerized-sounding noise continues to shift, and the melody drifts as the slamming low end closes the track out.

Discomforting radio static hisses to begin “Strange Dream.” A trembling, uncomfortable sound swirls and wobbles as the foreboding bass rises. Twisted vocals shiver and riffle, spreading more unsettling sensations. Delicate, tragic-sounding bells ring above a low end that strikes with ferocious force.

Bass surges in a hollow tide as the bells ring with a melancholy, nervous feeling. Percussion provides a steady pulse as the bass descends with terrifying strength. Rough-edged sounds rumble and elevated notes flash. Heavy blackness pours from the low end as a string-like synthesizer takes up the steady pattern above, while a haunting choir floats in the background.

The melodic pattern heightens the tension as the fragile choir hovers in the distance. The low end rises with dangerous strength, accelerating the melodic pattern as it gains speed. The bass becomes a physical force and the quickly rushing vocals move above the slowly undulating bass. A steady sense of wrongness pervades the music as the open-sounding bass roams, string-like synthesizers levitate smoothly, and fearful sounds continue to build.

Conclusion

Distorted Transmission 3: Deadwaves seethes with darkness and paints dystopic images of a society falling into despair and decay. I enjoy the way in which Leifendeth explores these twisted and shadowy images through layered soundscapes.

DREAD MAJESTY - All The Saints Are Dead

Review by Vero Kitsuné

I’m excited about the new social media phenomenon that is BlueSky. The nearly non-existent algorithm has allowed my starved soul to finally discover and connect with fresh new talents that I doubt I would have discovered on the other apps. As Fate intended, the gothic avant-garde progressive metal quintet newcomers from Colorado, Dread Majesty, were one of the first to bless my Bluesky feed with their debut single “All the Saints Are Dead”. I have not stopped listening to this mind-blowing work of art since my first listen.

The song starts off with a dramatic, haunting piano intro along with quite the stirring, painfully beautiful and lush tenor vocals by Rex Vincent in harmonizing duet with basso profundo Aharon, establishing the magnanimous, dark, theatrical mayhem to follow. Thunderous drums and heraldic guitars enter and Rex Vincent’s vocals are now countered with feral growls before the track abruptly drops into tantric speeds that seem to conjure a legion of demons in the interplay between voices and controlled instrumental pandemonium. The track switches between various treatments and time signatures from mellow jigs, to dark and heavy ritualistic gothic chants, sped up symphonic infernal chaos, and ethereal operatic bravado - each section rich in its own character and tall tale, enveloping listeners in an action-packed, cathartic dark adventure that hits all the right spots hard, leaving them breathless… and hungry for more.

Bands like Dread Majesty are quite the rare jewel. Their captivating vision and unparalleled creativity are matched by their athletic endurance, a refined precision in their extremely meticulous production, and a vast range in emotional delivery all capped with a touch of class and style. Their brand of gothic, regal, theatrical and fantastical progressive metal is quite the chimeric mythological creature that has been missing for so long - taking the best parts from some of the legendary metal and prog rock acts like Opeth, Mastodon, Mike Patton, System of a Down, Slayer, and Iron Maiden combined with the majestic extravagance of dark opera. “All The Saints Are Dead” is just the beginning for this group, and already an impeccable start to an artistic journey filled with promise!

Visit https://www.dreadmajesty.com/ for more.